Earshot Jazz Digital Collection
Explore Seattle's Jazz scene, past and present, through the lens of this local Seattle jazz magazine. The collection includes all issues from December 1984 to present, and is available via partnership with Earshot Jazz.
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Earshot Jazz, v.13, no.7, Jul. 1997
This issue begins with a biography on Jay Thomas, written by Michael Allison, page 1. Earshot announces their upcoming concerts at the Mural Amphitheater, page 1. This issue holds notes on Milo Petersen, The Backstage, Moe's Mo'Roc'N Cafe, Pepper's Pow-Wow, Sandy Osawa, Upstram Productions, Brent Arnold, Bert Wilson, Chuck Stentz, Joe Baque, Jack Perciful, Anomalous Records, Glass Slipper, Marriott Jazz Quintet, Wayne Horvitz, Robin Holcomb, Eyvind Kang, Bill Frisell, and Phil McNally, page 3. Jazz Port Townsend is featured on page 6. Peter Monaghan discusses Thousand Pieces and their release of Matador's Mistake, page 7. Artists and performances are featured in brief announcements beginning on page 8, including Outhouse, Brad Burns Benefit, Barbeque Band Quintet, and the Center for Contemporary Art (COCA). Earshot announces the upcoming artists and groups at their upcoming Living Spirit of Jazz and Eastside Showcase series, featuring Dmitri Methany, Steve Griggs, Hans Fahling, Chuck Israels, the Dan Faehnle Quartet, Elizabeth Perera, and Cole'lition, page 11. Andrew Bartlett reviews the album Hints on Light and Shadow by Julian Priester and Sam Rivers, page 16. Cover art is a photograph of Jay Thomas.
Identifier: spl_ej_571712_1997_13_07
Date: 1997-07
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Earshot Jazz, v.22, no.8, Aug. 2006
This issue begins with an announcement for Earshot Jazz's Jazz: The Second Century series as well as winners for the Wardenburg Scholarship, page 2. Notes in the issue begin on page 3 and focus on Egan's Ballard Jam House, Suzanne Weghorst, and Brian Kent. Earshot Jazz presents updates on the 2006 Earshot Jazz festival, discussed on page 4. A brief performance description for the Wynton Marsalis Quartet is on page 4. Bumbershoot announces its jazz lineup on page 6. Bill Anschell is the focus of an interview on page 7, conducted and discussed by Lloyd Peterson. David Marriott is featured in an artist biography update on page 10. Brian Owen is discussed in a biography by Josie Holtzmann, page 12. Tom Varner and his Tom Varner Chamber Trio are discussed on page 14. Mackrosoft and The Cheebacabra are discussed on page 15. Marian McPartland is the focus of an artist biography by Georgie Bright Kunkel, page 19. Highlight performances begin on page 20. Cover art is a photograph of Bill Anschell at the piano.
Identifier: spl_ej_571712_2006_22_08
Date: 2006-08
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Archdiocese of Seattle Chancery at Marion St. and Terry Ave., February 7, 1959
Seattle; Wash. Chancery of the Catholic Diocese of Seattle; Terry Ave 907.
Identifier: spl_wl_chu_00040
Date: 1959-02-07
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Earshot Jazz, v.25, no.4, Apr. 2009
This issue is in honor of April as 'Jazz Appreciation Month'. It begins with notes on Chamwino Connect, Murl Allen Sanders, Susan Pascal, Dan O'Brien, Chris Leighton, Doug Haire, Sonarchy, Pete Comley, Matt Crane, Paintings For Animals, Pearson Wallace-Hoyt, Evan Gilman, Jackie An, Costi Parvulescu, Ahamefule J. Oluo, New Seattle Brass Ensemble, and Okanomode, page 3. A list of students and schools from the Seattle area that received honors at the Lionel Hampton International Jazz Festival, page 4. Paradigm Studios upcoming film series called Icons Among Us is discussed on page 5. The Earshot Spring Series and its upcoming performances are discussed on page 7 by Peter Walton. Jazz Appreciation Month (JAM) at Lucid is discussed on page 12 by Jessica Davis. Upcoming performances at the Ballard Jazz Festival are listed, beginning on page 14. JazzVox is discussed on page 16 by Elizabeth Graham. Highlight performances begin on page 18. Hadley Caliman discusses learning jazz without an organized jazz education system, page 23. Cover art is a collage of artist photographs with the caption 'April - Jazz Appreciation Month'.
Identifier: spl_ej_571712_2009_25_04
Date: 2009-04
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Earshot Jazz, v.24, no.11, Nov. 2008
This issue begins with notes from Molly Manor about the musical group Sonando, how they don't always fit into the genre and mold their group categorizes themselves as and the sound they create together, page 4. Earshot notes on 'Eyeshot' the jazz blog where photographer Daniel Sheehan posts his photos from the Earshot Jazz events, page 9. Earshot writes a preview on the Jessica Lurie Ensemble and highlighting the many hats Lurie wears within the group, page 10. Earshot previews Eyvind Kang and further dives into Kang's project 'Grass,' page 11. Peter Monaghan previews the McCoy Tyner Trio and indulges in Tyner as a musician with highlights from his projects and capabilities as an artist, page 12. Earshot reviews CD's by Bill Frisell called 'History, Mystery,' ESP Trio's called Alchemy and Doug Miller's Regeneration, page 14. Cover art of Sonanso's Fred Hoadley , photograph taken by Daniel Sheehan.
Identifier: spl_ej_571712_2008_24_11
Date: 2008-11
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Earshot Jazz, v.31, no.6, Jun. 2015
This issue begins with notes on DownBeat Magazine's Student Music Awards, Seattle Transmedia Independent Film Festival, and the lineup for Sonarchy with Doug Haire, page 4. New Jazz Jam sessions are discussed on page 5, featuring the Nectar Lounge and Capitol Cider. Performances for the Earshot Jazz Spring Series are listed, beginning on page 10. The TD Vancouver International Jazz Festival is discussed on page 13. Northwest Summer Jazz Festivals are listed on page 15. Earshot Jazz reviews recent albums by OU, Tom Collier, Eugenie Jones, and the Zubatto Syndicate, page 16. Additional performances are listed on page 18. Cover art is a photograph of Morgan Gilkeson and Adriana Giordino.
Identifier: spl_ej_571712_2015_31_06
Date: 2015-06
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Earshot Jazz, v.23, no.3, Mar. 2007
This issue begins with notes on Cuong Vu, Tula's Restaurant, Seattle Women's Jazz Orchestra (SWOJO), The Soundies: A Musical History, Christopher DeLaurenti, Flotation Device, Tucker Martine, Steve Moore, Jovino Santos Neto, Jessica Lurie, Living Daylights, Steve Moore, The Tiptons, Tina Richerson, Amy Denio, Sonarchy, SIL2K Ensemble, David Kwan, Deal's Number, Perri Lynch, Clark Wiegman, Jack Gold, and Chris Pugh, page 3. Golden Ear Award Recipients and Seattle Jazz Hall of Fame Inductees for 2006 are announced on page 5. On page 6, Bill Ramsay is the focus of an artist biography by Harvey Siders. Bill Horist's recent musical techniques are discussed on page 9 by Peter Monaghan. On page 11, brief updates are written on Nonsequitur and Ben Riley's Monk Legacy Septet. The recent music experience and life of Peter Kenagy is featured on page 12 in an artist update interview. Pat Metheny and Brad Mehldau are the focus of an article on page 16 in preparation for their upcoming concert with Larry Grenadier and Jeff Ballard. The Jackson Street Music Program is discussed on page 17. Highlight performances begin on page 18. Chris Spencer writes a music lesson on Chord Tones, page 22. Cover art is a photograph of Bill Ramsay holding a saxophone.
Identifier: spl_ej_571712_2007_23_03
Date: 2007-03
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Earshot Jazz, v.18, no.12, Dec. 2002
This issue begins with notes on Jovino Santos Neto and Sonarchy's upcoming programming, page 3. A Paul Harding poem is written on page 3. On page 4, Jack Straw Foundation celebrates their 40th anniversary, written by Todd Matthews. Sonarchy radio show is featured in a brief article on page 5. Paul Rutherford is featured in a performer's biography on page 6 by Steve Cline. The Golden Ear Awards party is announced on page 7. Seattle Repertory Jazz Orchestra (SRJO) is presenting a Duke Ellington Sacred Music Concert, written on page 9. Photographs from the October half of the Earshot Jazz Festival begin on page 10. Highlight performances begin on page 18, featuring Ari Zucker and Klezmer Conservatory Band. Cover art is a photograph of a trumpet wired with a microphone.
Identifier: spl_ej_571712_2002_18_12
Date: 2002-12
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Earshot Jazz, v.17, no.10, Oct. 2001
This issue is the program for the 2001 Earshot Jazz Festival. It begins with a Welcome from John Gilbreath, page 1. The performance previews begin with a Tribute to Don Lanphere concert followed by Living Daylights, Wayne Krantz Trio, Aaron Parks Trio, Aaron Parks, Don Byron, Odean Pope Trio, Kenny Werner Trio, Don Lanphere Quartet, Richard Bona Group, Joe McPhee, Michael Bisio, Raymond Boni, Continued In The Underground, Myra Melford, Crush Trio, Daniel Carter, Reuben Radding, Bill Frisell, Boubacar Traore, Floyd Standifer Quartet, Maybe Monday, Stackpole, Amizade, Fred Anderson, William Parker, Hamid Drake, Frode Gjerstad Trio, David Marriott Ensemble, Von Freeman, Bill Frisell, Jack DeJohnette, Keith Jarrett, Gary Peacock, Torben Waldorff, Konk Pack Quartet, Ingrid Jensen, All-Star Rahsaan Roland Kirk Tribute, Steve Turre, James Carter, Mulgrew Miller, Buster Williams, Lewis Nash, Frank Morgan, George Cables, Denny Zeitlin, Intercontinental Quartet, Cinicius Cantuaria, Christos Govetasl, Sidiki Camara, and the Dave Brubeck Quartet. On page 31, the Seattle Repertory Jazz Orchestra discusses their upcoming performances. Highlight performances on page 24, including Dave Douglas, Dave Holland, William Hooker, Eyvind Kang, and Bill Horist. Earshot Jazz announces upcoming artists and groups for their Voice & Vision series, including Michael Monhart and Reuben Radding, page 35. Notes in this issue focus on Jim Knapp, Jacques Willis, Jack DeJohnette, Sonarchy Radio, Fred Chalenor, Jeff Greinke, John Hyde, Elaine DeFalco, Tucker Martine, Dennis Rea, Nathan Greig, Logic Probe Duroc, Colossus, FCS North, Daniel Carter, Ruben Radding, Gregg Keplinger, Mike Marlin, Jesse Canterbury, Reuben Radding, Bob Rees, Daniel Carter, and Quincy Jones, page 39. A memorial piece dedicated to Vonne Griffin is written on page 40. Cover art is a photograph of a man playing saxophone.
Identifier: spl_ej_571712_2001_17_10
Date: 2001-10
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Earshot Jazz, v.4, no.6, Jul. 1988
This issue begins with Sandra Burlingame's profile of Gene Harris - his introduction to jazz, musical success, and life as a musician, page 1. Joseph Murphy dives in to School Blues II - the continuous issue that Seattle public schools are facing with budget cuts and the sacrifices being made to music programs, page 1. Earshot says arrivederci to Jerry Granelli, but hopes to see him back in the Northwest soon, Sandra Burlingame page 2. Earshot has notes on live performances around the city by Ralph Towner, Aspects with Al Hood, Jay Weaver, and Doug Lilla, Dance and Jazz - with the Seattle Jazz Festival coming up, Joseph Murphy, Ted Dzilak, Taina Honkalehto, Sandy Burlingame, and Bob Mariano page 4-5. The 'New Jazz, New City' preview spring series closes as musicians throw down incredible performances with Enormous Radio, Paul de Barros page 12. Sandy Burlingame profiles Dee Daniels, with excitement for her coming back to Seattle - with a long journey of music she grounded herself as a talented and respected vocalist, page 13. Herb Levy reviews Paul Ellingson's album; Solo Jazz Piano, Volume One as there being very little musically, page 14. Tom Collier's album - Illusion gives listeners nothing to retrieve, Ken Wiley page 14. Another album review by Sheila M. Espinoza of David Land and Paul Speer's album called Desert Visions, page 14. Page 15 continues the rest of the album reviews - Meridian's album called Farewell to Fortune, Mark Lewis Quartet's album called In the Spirit, and Bud Shank and Bill Perkin's album called Serious Swingers, Ted Dzielak, Joseph Murphy, and Ken Wiley. Cover art is a photograph of Gene Harris. Page 2 Cover art of Jerry Granelli. Cover art of Vocalist, Dee Daniels. Cover art of David Lanz and Paul Speer.
Identifier: spl_ej_571712_1988_04_06
Date: 1988-07
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