• Earshot Jazz, v.5, no.2, Mar. 1989

    Earshot Jazz, v.5, no.2, Mar. 1989

    Earshot Jazz Society of Seattle

    This issue begins with an announcement that keyboardist Wayne Horvitz will take up residency in Seattle, page 1 by Sandy Burlingame. This issue holds notes on Scott Williams, Victory Music, Ernestine Anderson, Jay Clayton, Gary Peacock, Ralph Towner, Victor Lewis, KBCS-FM, KVBR-FM, Mel Brown, Warren Rand, and Steve Lacy, page 2. The University of Washington Jazz studies program and its progress under program head Roy Cummings is described by Todd Campbell on page 4. Ernestine Anderson was honored in Washington D.C. in the 'I Dream a World: Portraits of Black Women Who Changed America' program, Sandy Burlingame on page 5. On page 10, Stephen Davies and his custom string instrument designs are featured in an article by Bob Mariano. Earshot Jazz reviews the albums My Foolish Heart by Marc Cohen, Todos Santos by HMP Trio, with Bill Frisell and Doug Wieselman: Compositions by Robin Holcomb, Heresay by Paul McCandless, and Go Again... by the Don Lanpere Sextet, page 12. On page 15, Gary Bannister and Todd Campbell review live performances by Bert Wilson at Still Life in Fremont Coffeehouse and Kenny G at Meany Hall. Cover art shows Butch Morris, Bobby Previte, and Wayne Horvitz posing for a photograph.

    Identifier: spl_ej_571712_1989_05_02

    Date: 1989-03

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  • Earshot Jazz, v.15, no.7, Jul. 1999

    Earshot Jazz, v.15, no.7, Jul. 1999

    Earshot Jazz Society of Seattle

    This issue begins with an article on Bud Shank, written by Peter Monaghan, page 1. Notes in this issue feature Jim Pepper, Dewey Redman, Amina Claudine Myers, Bob Moses, Joel Harrison, Carmen Staaf, Jazz Port Townsend Festival, Quincy Troupe, Jim Wilke, Francois Houle, Evan Parker, Dave Douglas, Joelle Leandre, Stolen Instrument Database, Savoy Swing, Jon Belcher, Bill Ramsay, Jon Goforth, Dudley, Clipper Anderson, Fred Hoadley, Dan Wickham, Scott Ketron, Ben Thomas, Andrew Drury, Roy Cummings, Carl Staaf, and Dane Anderson, page 3. Craig Flory lists some of the music that he is listening to on page 5. The line-up of Jazz Port Townsend is listed on page 7. Emily Kurc and Jason Chambliss are featured in biographies by Yasmin Dalisay in light of their honors at the Essentially Ellington festival. Performance previews begin on page 12 for New Bag, the 14th Seattle Festival of Free Improvisation, and Milt Simons - Martin Zambito Gallery. Earshot Jazz reviews the album for Zebulon by Michael Bisio and Joe McPhee, page 14. Summer Jazz Festivals are listed on page 16, including JazzFest International, Calgary International Jazz Festival, DuMaurier International Jazz Festival, Jazz City International Music, Britt Festivals, Heritage Festival, Jazz In The Park, KPLU Summer Sunday Brunch Jazz Cruise Series, Summer Festival on the Green, Jazz Port Townsend, Banff Arts Festival, San Juan Island Jazz Festival, Jazz In The Valley Festival, Mt. Hood Festival of Jazz, 98.9 Smooth Jazz Festival, Newport Jazz on the Water Festival, Issaquah Jazz Festival, Dixieland Portland, Bumbershoot Arts Festival, High Mountains Dixieland Jazz Festival, Medford Jazz Jubilee, and Icicle Creek Chamber Music Festival. Highlight performances include Don Lanphere, New Stories, SEED's Jazz in the Park, KPLU summer Sunday Bruch Jazz Cruise Series, and One Plus One - A Night of Duets. On page 23, Walter 'Gli' Fuller discusses Bebop in a music education section. Cover art is a photograph of Bud Shank on saxophone.

    Identifier: spl_ej_571712_1999_15_07

    Date: 1999-07

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  • Earshot Jazz, v.25, no.4, Apr. 2009

    Earshot Jazz, v.25, no.4, Apr. 2009

    Earshot Jazz Society of Seattle

    This issue is in honor of April as 'Jazz Appreciation Month'. It begins with notes on Chamwino Connect, Murl Allen Sanders, Susan Pascal, Dan O'Brien, Chris Leighton, Doug Haire, Sonarchy, Pete Comley, Matt Crane, Paintings For Animals, Pearson Wallace-Hoyt, Evan Gilman, Jackie An, Costi Parvulescu, Ahamefule J. Oluo, New Seattle Brass Ensemble, and Okanomode, page 3. A list of students and schools from the Seattle area that received honors at the Lionel Hampton International Jazz Festival, page 4. Paradigm Studios upcoming film series called Icons Among Us is discussed on page 5. The Earshot Spring Series and its upcoming performances are discussed on page 7 by Peter Walton. Jazz Appreciation Month (JAM) at Lucid is discussed on page 12 by Jessica Davis. Upcoming performances at the Ballard Jazz Festival are listed, beginning on page 14. JazzVox is discussed on page 16 by Elizabeth Graham. Highlight performances begin on page 18. Hadley Caliman discusses learning jazz without an organized jazz education system, page 23. Cover art is a collage of artist photographs with the caption 'April - Jazz Appreciation Month'.

    Identifier: spl_ej_571712_2009_25_04

    Date: 2009-04

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  • Earshot Jazz, v.22, no.8, Aug. 2006

    Earshot Jazz, v.22, no.8, Aug. 2006

    Earshot Jazz Society of Seattle

    This issue begins with an announcement for Earshot Jazz's Jazz: The Second Century series as well as winners for the Wardenburg Scholarship, page 2. Notes in the issue begin on page 3 and focus on Egan's Ballard Jam House, Suzanne Weghorst, and Brian Kent. Earshot Jazz presents updates on the 2006 Earshot Jazz festival, discussed on page 4. A brief performance description for the Wynton Marsalis Quartet is on page 4. Bumbershoot announces its jazz lineup on page 6. Bill Anschell is the focus of an interview on page 7, conducted and discussed by Lloyd Peterson. David Marriott is featured in an artist biography update on page 10. Brian Owen is discussed in a biography by Josie Holtzmann, page 12. Tom Varner and his Tom Varner Chamber Trio are discussed on page 14. Mackrosoft and The Cheebacabra are discussed on page 15. Marian McPartland is the focus of an artist biography by Georgie Bright Kunkel, page 19. Highlight performances begin on page 20. Cover art is a photograph of Bill Anschell at the piano.

    Identifier: spl_ej_571712_2006_22_08

    Date: 2006-08

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  • Earshot Jazz, v.23, no.12, Dec. 2007

    Earshot Jazz, v.23, no.12, Dec. 2007

    Earshot Jazz Society of Seattle

    This issue begins with an article on Jack Brownlow by Doug Ramsay, page 2. Notes in this issue focus on Paul Rucker, University of Idaho, the Lionel Hampton International Jazz Festival, Sonarchy, Wolfgang Fuchs, Anne LeBaron, Torsten Muller, Ronit Kirchman, Tif Lin, Cod Launcher, Stephen Cavit, Ken Masters, Burning Man 2007, and Doug Haire, page 4. The Golden Ear Awards contest nominees for 2007 is announced on page 5. On page 6, John Gilbreath writes a closing piece for the Earshot Jazz Festival. Daniel Sheehan's photography of the Earshot Jazz Festival is featured on page 7. Performances by John Butcher, Torsten Muller, Dylan van der Schyff, and Seattle Repertory Jazz Orchestra are discussed on page 12. Elaine Hayes discusses the 19th Annual concert of Duke Ellington's Sacred Music, page 14. New Year's Eve Concerts are featured on page 16, including performances by Poncho Sanchez Latin Jazz Band, Greta Matassa, Little Bill and the Blue Notes, Too Slim and the Taildraggers, Spokane Jazz Orchestra, and the Hudson Blues Band. Earshot Jazz reviews the album Streams of Consciousness by the Jay Thomas John Stowell Quartet, page 17. Highlight performances begin on page 18. Paul Rucker writes a music lesson on stretching musical boundaries and not relying on nostalgia to create music. Cover art is a photograph of D'Vonne Lewis at the drumset.

    Identifier: spl_ej_571712_2007_23_12

    Date: 2007-12

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  • Earshot Jazz, no.2, Jan. 1985

    Earshot Jazz, no.2, Jan. 1985

    Earshot Jazz Society of Seattle

    This issue begins with an article written in memory of Collin Walcott (1945-1984) by Gary Bannister on page 1. This is followed by a call for applications to The Washington State Arts Commission for their 1985-1986 Artist-in-Residence program and includes a note of encouragement to apply and a story of personal experience by Allen Youngblood. Beginning on page 2, Earshot Jazz reviews the records Blue by Randy Weston, Ross Island by Dave Storrs, Into Somewhere by the Don Lanphere Quintet, Jumpin' In by the Dave Holland Quintet, and includes a Selected Discography list of recordings by Collin Walcott. Cover art is a photograph of Colin Walcott with Don Cherry and Na Na Vasconcelos.

    Identifier: spl_ej_571712_1985_01_02

    Date: 1985-01

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  • Earshot Jazz, v.13, no.7, Jul. 1997

    Earshot Jazz, v.13, no.7, Jul. 1997

    Earshot Jazz Society of Seattle

    This issue begins with a biography on Jay Thomas, written by Michael Allison, page 1. Earshot announces their upcoming concerts at the Mural Amphitheater, page 1. This issue holds notes on Milo Petersen, The Backstage, Moe's Mo'Roc'N Cafe, Pepper's Pow-Wow, Sandy Osawa, Upstram Productions, Brent Arnold, Bert Wilson, Chuck Stentz, Joe Baque, Jack Perciful, Anomalous Records, Glass Slipper, Marriott Jazz Quintet, Wayne Horvitz, Robin Holcomb, Eyvind Kang, Bill Frisell, and Phil McNally, page 3. Jazz Port Townsend is featured on page 6. Peter Monaghan discusses Thousand Pieces and their release of Matador's Mistake, page 7. Artists and performances are featured in brief announcements beginning on page 8, including Outhouse, Brad Burns Benefit, Barbeque Band Quintet, and the Center for Contemporary Art (COCA). Earshot announces the upcoming artists and groups at their upcoming Living Spirit of Jazz and Eastside Showcase series, featuring Dmitri Methany, Steve Griggs, Hans Fahling, Chuck Israels, the Dan Faehnle Quartet, Elizabeth Perera, and Cole'lition, page 11. Andrew Bartlett reviews the album Hints on Light and Shadow by Julian Priester and Sam Rivers, page 16. Cover art is a photograph of Jay Thomas.

    Identifier: spl_ej_571712_1997_13_07

    Date: 1997-07

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  • Earshot Jazz, v.5, no.10, Nov. 1989

    Earshot Jazz, v.5, no.10, Nov. 1989

    Earshot Jazz Society of Seattle

    This issue begins with a description of the November 7th kick off of Earshot jazz's fall series, page 1. Earshot's Sandra Burlingame interviews Sonny Booker, a company executive and an all around entrepreneur - the talented musicians he was associated with and thrilling adventures the music scene brought him, page 6. Earshot notes on The Puget Sound Jazz Ensemble and their recent CD release, Todd Campbell page 6. Cover art of Oliver Lake, page 1.

    Identifier: spl_ej_571712_1989_05_10

    Date: 1989-11

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  • Earshot Jazz, v.16, no.8, Aug. 2000

    Earshot Jazz, v.16, no.8, Aug. 2000

    Earshot Jazz Society of Seattle

    This issue begins with an article about the famous Llahngaelhyn venue - the many artists that performed there shared fond memories of the place along with the incredible music experience they had there. With the reunion of the venue they hope it can maybe one day be as great as it was again, page 1. Earshot notes on this year's Earshot Jazz Festival with excitement about the festival and an introduction to the tentative line-up, page 4. Jason West interviewed Rick Mandyck and tells all how and why he's back on sax, and occasionally the guitar, page 12. Earshot notes on jazz shows, which highlights artists backgrounds and experience, page 16. Andrew Bartlett previews Pierre Dorge and the New Jungle Orchestra as a musical group introduction, prior to their performance, page 17. Michael Allison previews the CD 'The Road Begins Here,' with a successful opinion of jazz in the 21st Century, page 23.

    Identifier: spl_ej_571712_2000_16_08

    Date: 2000-08

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  • Earshot Jazz, v.24, no.11, Nov. 2008

    Earshot Jazz, v.24, no.11, Nov. 2008

    Earshot Jazz Society of Seattle

    This issue begins with notes from Molly Manor about the musical group Sonando, how they don't always fit into the genre and mold their group categorizes themselves as and the sound they create together, page 4. Earshot notes on 'Eyeshot' the jazz blog where photographer Daniel Sheehan posts his photos from the Earshot Jazz events, page 9. Earshot writes a preview on the Jessica Lurie Ensemble and highlighting the many hats Lurie wears within the group, page 10. Earshot previews Eyvind Kang and further dives into Kang's project 'Grass,' page 11. Peter Monaghan previews the McCoy Tyner Trio and indulges in Tyner as a musician with highlights from his projects and capabilities as an artist, page 12. Earshot reviews CD's by Bill Frisell called 'History, Mystery,' ESP Trio's called Alchemy and Doug Miller's Regeneration, page 14. Cover art of Sonanso's Fred Hoadley , photograph taken by Daniel Sheehan.

    Identifier: spl_ej_571712_2008_24_11

    Date: 2008-11

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