Arthur C. Pillsbury Collection
See photographs of the Klondike Gold Rush, California, Oregon and Washington taken by Arthur C. Pillsbury (1870-1946) between about 1896 and 1900.
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Symbolic realism
Helmi Juvonen was born in Butte, Montana on January 17, 1903. She worked in many media including printmaking, painting and paper-craft. She attended Cornish College of the Arts in Seattle where she met artist Mark Tobey with whom she was famously obsessed. Although she was diagnosed as a manic-depressive in 1930, she gained wide appreciation in the Northwest for her linocut prints depicting Northwest Indian people and tribal ceremonies. She worked with a number of artists on the Public Works of Art Project including Fay Chong and Morris Graves. Over the years, her mental health deteriorated and in 1960 she was declared a ward of the state and was committed to Oakhurst Convalescent Center. She was much beloved and had many friends and benefactors (including Wes Wehr) and was able to have exhibitions despite the confinement. She died in 1985.
Identifier: spl_art_J989Sy1
Date: n.d.
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S.S. Queen returning Washington Volunteers to Seattle, ca. 1900
On November 6, 1899, the S.S. Queen carried back the First Washington Volunteer Infantry to Seattle. The men were returning from service in the Spanish American War. The arrival of the volunteers was described in detail in a November 7, 1899 Seattle Times article: "Grand beyond description was the naval parade with which the returning volunteers were welcomed to Seattle and to their native state this morning. The assembling and marshaling of the fleets, its progress down the sound, its deploying in columns as the Queen as sighted, the approach of the Queen with the volunteers on board, the gay decorations that made the rigging on the vessels a mass of patriotic colors, the enthusiastic crowds of Washington people who had come to Seattle from every part of the state to welcome the returning heroes, the progress of the fleet up the channel after the Queen had fallen into her place of honor, the salvos of artillery, the deafening din of soul-inspiring music, the shouts from thousands of people who felt that no shout was loud enough, no hand shake hearty enough to convey, and finally the return to the docks, all made up a scene such as Seattle has never before witnessed. It was a historic morning, and from the moment the first gray streaks of light broke in the East and the pulse of patriotism seemed to throb and vibrate through the air, and the contagion of enthusiasm ran from home to home from street to street, from land to sea. Long before 7 o'clock crowds of people could be seen hurrying along the street toward Schwabacher's dock where lay the fleet that was to steam down the Sound to meet the Queen and welcome the returning volunteers. To the great relief of the eager watchers who peered out from their windows to watch the first omens of the weather, there was not a trace of fog on the water, and even the [illegible] clouds that for a time hung threateningly in the dull gray light of the morning finally broke enough to admit streaks of sunshine and the weather god seemed to look down with special favor upon the preparations for a state's greeting and tribute tot he patriotic valor of her returning sons. The long reaches of Elliott Bay lay calm as a sheet of molten glass, and the soft subdued light of the morning lent a peculiar charm to the marine view. At the dock lay the Holyoke, Tyee, Tacoma, Wanderer, and Maggie, all gaily decorated to honor the occasion." The same article reports 5,000 people showed up at the docks, jostling with each other to welcome back family members and friends. Another article reported a crowd of nearly 200,000 gathered in the city to celebrate their return. This was more than twice the 1900 population of the city which numbered close to 80,000. The Pacific Coast Steamship Line Company's Pier B appears at the far right at the base of S. Main St.
Identifier: spl_ap_00055
Date: 1899-11-06
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View of Long Lake, B.C. from Long Lake Hotel, ca. 1899
Long Lake lay along the Chilkoot Trail, a Tlingit trade route between Skagway, Alaska and Lake Bennett (on the border of British Columbia and the Yukon Territory) that was used by many prospectors during the gold rush. The hotel was located at the south end of the lake. Signs on the side of the hotel advertise beds, lemonade and a bakery.
Identifier: spl_ap_00096
Date: 1899?
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"Joseph Closset" stern wheeler at Five Finger Rapids on Yukon River, ca. 1899
The Joseph Closset frequently traveled the Yukon River to carry prospectors to the gold fields during the Klondike Gold Rush.
Identifier: spl_ap_00156
Date: 1899?
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Tagish Lake, Canada, ca. 1899
Tagish Lake is located on the border of British Columbia and Yukon.
Identifier: spl_ap_00159
Date: 1899?
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Letter from Arthur Goodwin to John Clifford regarding a foot traffic count, April 21, 1927
Letter from Arthur Goodwin to John Clifford, the assistant manager of Pike Place Public Markets, Inc., requesting that he make the necessary prepartions for the spring count of foot traffic on the First Avenue and Pike sidewalks.
Identifier: spl_sh_00044
Date: 1927-04-21
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Illustrations for lecture, Feb 26 1948 (6 of 7)
Mark Tobey was born in Centerville, WI in 1890. Beginning his career as an illustrator, Mark Tobey was a deeply religious man, converting to the universalist Baha'i faith in 1918, which would in some way influence all of his works. After extensive traveling, including a period of time at a Zen monastery in Japan, Tobey taught art and philosophy at Dartington Hall in England until 1937. He then developed his "white writing" technique, painting white cursive writing on dark canvas, a technique which he (and many other Northwest artists) would use extensively until his death. He was one of the four painters LIFE magazine described as "Northwest Mystics". The others were Guy Anderson, Morris Graves and Kenneth Callahan. He died in 1976 in Basel, Switzerland.
Identifier: spl_art_T552il6
Date: 1948
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Nevada Falls in Yosemite, ca. 1897-1900
No caption is provided for the photograph but it appears to show Nevada Falls in Yosemite. Pillsbury had a lifelong interest in the park and established his own photograph studio there in 1897.
Identifier: spl_ap_00196
Date: 1897?; 1900?
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Captain Cook
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_15.140
Date: 1955
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