See photographs of the Klondike Gold Rush, California, Oregon and Washington taken by Arthur C. Pillsbury (1870-1946) between about 1896 and 1900.
The white spot
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_05
View this itemHootalinqua on the Yukon River, ca. 1899
Hootalinqua was a small outpost located at the convergence of the Yukon and Teslin Rivers. It served as a stopping point for prospectors making their way to the gold fields.
Identifier: spl_ap_00148
Date: 1899?
View this itemBoat in front of Le Conte Glacier, Alaska, ca. 1899
Identifier: spl_ap_00083
Date: 1899?
View this itemTaku Glacier, Alaska, ca. 1899
The original Tlingit name for Foster Glacier was Taku Glacier. It was also known as Schulze Glacier in the 1880s and Foster Glacier in the 1890s before reverting to its first name.
Identifier: spl_ap_00062
Date: 1899?
View this itemThree carved Tlingit figures under tree, Klukwan, Alaska, ca. 1899
Klukwan is a Tlingit village that was located on the Dalton Trail, a route used by prospectors during the gold rush.
Identifier: spl_ap_00102
Date: 1899?
View this itemBlack Queen, ca. 1921
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_15
Date: 1921
View this itemSkagway, Alaska and Chilkoot Inlet looking south, ca. 1899
Identifier: spl_ap_00135
Date: 1899?
View this itemNightmare
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_17
View this itemChief Kyan totem pole in Ketchikan, Alaska, ca. 1899
Chief Kyan was a Tlingit chief who, in 1885, sold 160 acres to Mike Martin, one of the city of Ketchikan's founders. The totem pole shows the lineage of the Chief's family. The bear at the base of the pole represents Chief Kyan's family. The Thunderbird in the center represents his wife's family and the crane at the top represents his wife.
Identifier: spl_ap_00080
Date: 1899?
View this item"Australian" steamboat at Canyon City in Yukon Territory, ca. 1899
A similar photograph in the University of Washington’s Eric A. Hegg’s photographs identifies the location at Miles Canyon Landing, about 6 miles south of Whitehorse on the Yukon River. This location was used by the Canyon and White Horse Rapids Tramway Company between 1897 and 1900 to portage steamer cargo around Miles Canyon and the Whitehorse Rapids. Location information for Canyon City has been provided based on information from the National Park Service. The "Australian" was constructed by the Canadian Development Company in Bennett, British Columbia in 1899.
Identifier: spl_ap_00151
Date: 1899?
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