Suzanne Hittman Collection of the Pike Place Market
Preview up to 100 items from this collection below. Explore the early history of the Pike Place Market through letters, receipts, plans, rental agreements and other documents related to the market’s business.
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Letter from Arthur Goodwin to John Clifford regarding a foot traffic count, April 21, 1927
Letter from Arthur Goodwin to John Clifford, the assistant manager of Pike Place Public Markets, Inc., requesting that he make the necessary prepartions for the spring count of foot traffic on the First Avenue and Pike sidewalks.
Identifier: spl_sh_00044
Date: 1927-04-21
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Central Seattle' booklet, July 1927
July issue of 'Central Seattle,' a monthly publication containing information on local businesses, property changes and development in central Seattle.
Identifier: spl_sh_00022
Date: 1927-07-01
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Letter from Arthur Goodwin to Cappucio & Vacca regarding stamping produce bags, August 15, 1927
In his letter, Arthur Goodwin informs the vendors that the Commissioner of Health has passed a ruling that farmers selling their goods at the market need to stamp their bags with their business name and license number. Goodwin advises them to 'have a rubber stamp made with your name and address and stamp all your bags so that the public may be able to trace any goods that you have sold in case of any complaints that may be made.'
Identifier: spl_sh_00038
Date: 1927-08-15
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Letter from Arthur Goodwin to John Clifford regarding an empty market stall and the Bonnie Brae Ball Room, July 18, 1927
Letter from Arthur Goodwin instructing John Clifford, the assistant manager of Pike Place Public Markets, Inc. regarding the rent for an empty stall next to Murray's Meat Market. He also asks Clifford to check on the structural integrity of the Bonnie Brae Ball Room. He explains 'some of the modern dances put a special strain upon the building as a large majority of the dancers jump from three to six inches in the air, all landing at the same time. This is what wrecked a building in Boston and is worth taking into consideration.'
Identifier: spl_sh_00037
Date: 1927-07-18
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Central Station, L.A.
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_39
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Carolyn Amy Baugh (Cabbie) clowns with a wine jug in the yard, 1419 Madrona Dr., circa 1968
Cabbie clowns with a wine jug in the yard at 1419 Madrona Dr.
Identifier:
Date: 1968
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Girl at window
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_51
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Letter from Arthur Goodwin to Walter Soames regarding a dispute over private stalls at Pike Place Market, December 28, 1927
Letter from Arthur Goodwin to Walter Soames, President of the Associated Farmers, discussing changes made at Pike Place Market to distinguish the private stalls in the 'GG' section from other market stalls. Goodwin also explains 'We have put into effect regulations governing the sale of local and Califonia vegetables, prohibiting the sale of California vegetables of like kind when local vegetables are offered for sale on the market, and have co-operated with the Health Department in agreeing to cancel the lease of any tenant of the 'GG' section who violates the terms of the said leases.' Goodwin also addresses complaints against Joe Desimone, noting that they cannot force Desimone to leave the market for pricing his produce competitively.
Identifier: spl_sh_00130
Date: 1927-12-28
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Letter from William Crowley to Arthur Goodwin inquiring about public markets, April 29, 1927
Letter from William Crowley to Arthur Goodwin asking after the progress of his book on public markets. Crowley also asks Goodwin about the average salary paid to vendors in public markets and inquires if he is aware of Japanese farmers who would be interested in selling their goods at markets in California.
Identifier: spl_sh_00043
Date: 1927-04-29
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Letter from H.E. Carlson to Arthur Goodwin regarding improvements to the space near the Central Printing Company, November 26, 1927
Letter from H.E. Carlson to Arthur Goodwin describing the deteriorating surroundings around the Central Printing Company and asking for a reduction in rent so that they are able to stay in business.
Identifier: spl_sh_00134
Date: 1927-11-26
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