Suzanne Hittman Collection of the Pike Place Market
Preview up to 100 items from this collection below. Explore the early history of the Pike Place Market through letters, receipts, plans, rental agreements and other documents related to the market’s business.
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Letter from Arthur Goodwin to Mayor Bertha Landes regarding security staffing at Pike Place Market, March 16, 1927
Letter from Arthur Goodwin requesting that Mayor Bertha Landes release Mike O'Brien from the night watchmen at Pike Place Market and grant C.M. Dinsmore the position instead.
Identifier: spl_sh_00078
Date: 1927-03-16
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Letter from Arthur Goodwin to H.E. Carlson regarding improvements to the space near the Central Printing Company, November 28, 1927
Letter from Arthur Goodwin to H.E. Carlson responding to his concerns over the unfavorable surroundings for his Central Printing Company on Western Avenue. Goodwin notes that they are working on making improvements to the alley outside the business and offers a reduction in rent.
Identifier: spl_sh_00133
Date: 1927-11-28
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Pike Place Market produce stall, ca. 1925
Pike Place Market stall stocked with produce for sale.
Identifier: spl_sh_00003
Date: 1925?
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Letter from George C. Mason to Arthur Goodwin regarding Portland public market plans, October 27, 1927
Letter from George C. Mason, an engineer, to Arthur Goodwin asking for his input on proposed building plans for the Portland public market.
Identifier: spl_sh_00110
Date: 1927-10-27
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Letter from Arthur Goodwin to H.E. Briggs regarding insurance for sprinkler flooding, December 9, 1927
Letter from Arthur Goodwin to H.E. Briggs discussing a recent incident where parts of the market building were flooded due to sprinklers going off in the Leland Hotel. Goodwin asks if their insurance covers the damage caused by the sprinklers.
Identifier: spl_sh_00075
Date: 1927-12-09
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Letter from Arthur Goodwin to H.V. Whitehouse regarding his space in the Municipal Market, August 10, 1927
Letter from Arthur Goodwin to H.V. Whitehouse with details of the rental agreement for his Whitehouse Plating Company in the Municipal Market.
Identifier: spl_sh_00132
Date: 1927-08-10
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Pamplet to vote no on the Market Initiative, 1971
Distributed by the Committee to Save the Market, the pamphlet describes the reasons that the market initiative should not be passed. They argue that Pike Place Market is already protected as a historic site and failure to redevelop Pike Place Market would jeopardize the federal funds allocated for urban renewal.
Identifier: spl_ps_017
Date: 1971
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Vancouver's sloop on reef in Queen Charlotte's Sound
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_17.165
Date: 1956
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Anderson Map Co.'s Official map of greater Seattle, 1909
Large map of the city of Seattle and environs with A.Y.P.E. seal. Cadastral map. Black-line print. Scale [ca. 1:19,200]. 1,600 ft. = 1 in. 128 x 103 cm.
Identifier: spl_ayp_2510925
Date: 1909
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Twins, 1924
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_28
Date: 1924
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