Preview up to 100 items from this collection below. Explore the early history of the Pike Place Market through letters, receipts, plans, rental agreements and other documents related to the market’s business.
High Relief
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_45
View this itemLetter from Arthur Goodwin to John E. Carroll, June 14, 1927
Letter from Arthur Goodwin to John E. Carroll, President of the Seattle City Council about a dispute pertaining to the market. Goodwin points out that those agitating against the market are not regular users and therefore not in a position to disrupt the market.
Identifier: spl_sh_00036
Date: 1927-06-14
View this itemContract between Pike Place Public Markets, Inc. and Mrs. O.H. Pound, June 15, 1927
Contract between Mrs. O.H. Pound and Pike Place Public Markets, Inc. presenting the terms of her lease for Lunch of All Nations in stall 3 of the Municipal Market Building.
Identifier: spl_sh_00117
Date: 1927-05-17
View this itemLetter from Arthur Goodwin to John J. Rowan regarding the New York Central market, November 28, 1927
Letter from Arthur Goodwin to John J. Rowan thanking him for providing contact information for those in charge of the New York Central market.
Identifier: spl_sh_00123
Date: 1927-11-28
View this itemMen on Homan River rapids, ca. 1899
Although the caption for the photo identifies it as "Homer River" it is likely Homan River which flows between Homan Lake and Bennett Lake in British Columbia. One man stands on a log on the lower left and a second stands further upriver.
Identifier: spl_ap_00132
Date: 1899
View this itemLetter from Frank Stier Goodwin to Arthur Goodwin regarding feedback for his article on foreign markets, September 22, 1927
Letter from Frank Stier Goodwin thanking Arthur Goodwin for his feedback on his article on foreign markets, 'Through the Levant with a Market-Basket.'
Identifier: spl_sh_00091
Date: 1927-09-22
View this itemIndigenous woman sitting outside of building, ca. 1899
The caption appears to be a play on a George Wither's poem which reads "If she think not well of me, What care I how fair she be?" The identity and location of the woman are unknown.
Identifier: spl_ap_00098
Date: 1899
View this itemNotice to vacate premises issued by Arthur Goodwin, December 10, 1927
Notice to vacate premises issued to Louis J. Becker and signed by Arthur Goodwin. Becker is instructed to leave his space in Room 8 of the Economy Market by December 21, 1927.
Identifier: spl_sh_00076
Date: 1927-12-10
View this itemB.F. Schlesinger letter to Arthur Goodwin regarding an available store location at Pike Place Market, April 21, 1927
B.F. Schlesinger letter to Arthur Goodwin turning down his offer of a location for a B.F. Schlesinger & Sons location on the corner of 1st Avenue and Pike Street. Schlesinger states they currently have no plans to open a store in Seattle.
Identifier: spl_sh_00125
Date: 1927-04-21
View this itemMadam Pavlova, ca. 1921
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_21
Date: 1921
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