Century 21 Digital Collection
Preview up to 100 items from this collection below. Seattle’s 1962 World’s Fair showcased Seattle as a space-age city. See photos, brochures, postcards and other items related to Seattle’s 1960s vision of the future.
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Ford Motor Co. Pavilion; cabin of space craft interior
Ford Motor Company Pavilion, Century 21 Exposition (Seattle Worlds Fair). "A realistic simulated journey to outer space aboard a specially constructed, 100-seat passenger spacecraft is just one of the attractions at this exhibit, one of the most popular on the grounds. Also featured is the farm of the future, a dream car, consumer products of tomorrow and a new products display. Lee Kollins, Manager." (Official press book : Seattle World's Fair 1962. Seattle: Century 21 Exposition, p. 40.)
Identifier: spl_wl_exp_00471
Date: 1962-10
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Space Needle at night, with Memorial Stadium; view S., 1962
Space Needle, Century 21 Exposition (Seattle World’s Fair). “The Space Needle, a modernistic totem of the Seattle World’s Fair, was conceived by Eddie Carlson as a doodle in 1959 and given form by architects John Graham Jr., Victor Steinbrueck, and John Ridley. When King County declined to fund the project, five private investors, Bagley Wright, Ned Skinner, Norton Clapp, John Graham Jr., and Howard S. Wright, took over and built the 605-foot tower in less than a year.” (Walt Crowley, “Space Needle (Seattle).” HistoryLink.org, http://historylink.org/index.cfm?DisplayPage=output.cfm&file_id=1424)<br><br>Clarence E. "Gene" Voiland was a West Seattle pharmacist who enjoyed using his new Balda Baldamatic I 35 mm camera.
Identifier: spl_c21_jv_029
Date: 1962
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Exotic visitor
On the steps of the Food Circus of the Century 21 Exposition (Seattle World's Fair). "Close to the center of the fairgrounds is the Food Circus, a great bustling eaters' delight. Ranged about the vast floor are 52 concessions, all producing food in its manifold phases." (Official Guide Book, Seattle World's Fair 1962. Seattle: Acme Publications. p. 137.) The building was constructed in 1938 as the Washington National Guard Armory (Architects: Floyd A. Naramore and Arrigo M. Young) and was transformed into the Food Circus for the Century 21 Exposition (Architects: Durham, Anderson, and Freed).
Identifier: spl_wl_exp_00320
Date: 1962-06-10
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View north from Washington State Power exhibit; Armory to left
Washington State Electric Power Pavilion, Century 21 Exposition (Seattle World's Fair). “In an effort to show how Washington's generous supply of water is harnessed and converted to plentiful, low-cost electric power, the Electric Utilities has constructed a 40-foot dam with six spillways and a 16x24 foot relief man showing the state's principle power dams and a transmissions network between 24 major cities. John Bensen, Manager.” (Official press book: Seattle World's Fair 1962. Seattle: Century 21 Exposition, 1962, p. 40)
Identifier: spl_wl_exp_01089
Date: 1962-03-30
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Canadian military tatoo [i.e. tattoo] in stadium; Massed bands of 2 military units
Canadian Tattoo in Memorial Stadium, Century 21 Exposition (Seattle World’s Fair). “Easily the most popular show was the Canadian Tattoo, staged in the Stadium. For two hours, Washington’s neighbors to the north dazzled--there is no other word--spectators with a show that traced the history of Canada, from fur trade to modern days, through its military forces. There were brief dramatic cameos; uniformed soldiers and sailors marched in cadence; kilted bagpipers and a seemingly endless supply of fresh horses galloping in the closest thing to precision that man and beast are likely to attain. At one point, a blank cartridge was fired and a hundred or so uniformed soldiers, standing side by side, toppled one at a time, like dominoes laid on end. Afterward, spectators could only say, ‘You had to be there! You just had to be there!’” (Don Duncan, Meet Me at the Center. Seattle: Seattle Center Foundation, 1992, p. 64.) Memorial Stadium was built in 1948 in memory of former Seattle high-school students killed in World War II. Owned by the Seattle School District, it was leased to the Century 21 Exposition for the Seattle World’s Fair. The Fair’s opening ceremonies and many large events were held there.
Identifier: spl_wl_exp_00907
Date: 1962-09-16
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Oregon State Pavilion; interior view
"The Boulevards of the World area is the shopping center of the fair. Stores, stands and kiosks displaying the goods and gifts of a dozen nations line the gay and colorful thoroughfares that tie the five theme Worlds of Century 21 together." (Official Guide Book, Seattle World's Fair 1962. Seattle: Acme Publications. p. 119.)
Identifier: spl_wl_exp_00750
Date: 1962-07
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Sweden Pavilion; Gun from warship Vasa sunk Aug. 10, 1628 in Stockholm harbor
Sweden Pavilion, Century 21 Exposition (Seattle World’s Fair). “Sweden’s three main products, steel, wood and glass are shown throughout the pavilion with a special 2 1/2 ton glass wall and a modern wood relief as two of the main displays. Also shown are relics of the VASA, a 17th century Swedish man-of-war that sunk on its maiden voyage and was only raised last year. Visitors can see many Swedish handicrafts. Mr. Reisbeck, Manager” (Official press book: Seattle World's Fair 1962. Seattle: Century 21 Exposition, 1962, p. 37)
Identifier: spl_wl_exp_00968
Date: 1962-09
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Past & Present
Space Needle, Century 21 Exposition (Seattle World’s Fair). “The Space Needle, a modernistic totem of the Seattle World’s Fair, was conceived by Eddie Carlson as a doodle in 1959 and given form by architects John Graham Jr., Victor Steinbrueck, and John Ridley. When King County declined to fund the project, five private investors, Bagley Wright, Ned Skinner, Norton Clapp, John Graham Jr., and Howard S. Wright, took over and built the 605-foot tower in less than a year.” (Walt Crowley, “Space Needle (Seattle).” HistoryLink.org, http://historylink.org/index.cfm?DisplayPage=output.cfm&file_id=1424)
Identifier: spl_wl_sec_01654
Date: 1961-09-29
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View N.E. of Commerce Pavilion
Interiors, Fashion, and Commerce Pavilion of the Century 21 Exposition (Seattle World's Fair). <br><br> “Architecturally speaking, this exhibit building appears to be a candidate as one of the most successful on the fairgrounds. It is far from being spectacular, but as an understatement fulfills several objectives. <br><br> “First and foremost, the structure in its simple form and neutral color scheme (white and shades of gray)provides an appropriate backdrop for the fashions, fabrics and other displays it will house, rather than competes with them. The long horizontal lines create an effective foil for the sharp vertical of the adjacent Space Needle; and the roof, in particular, helps to contain a triangular area which is rather disorganized in its plan. The sloping site permits three ceiling gradients by dropping the floor levels. <br><br> “Precast concrete columns support prebuilt steel joists and girders. Cement stucco containing selected chips from an eastern Washington quarry make up the fascia and walls. The poured-in-place concrete bulkhead gets its pattern from the wood inserts used in the forming and provides the contraction jointing.” (An Architect’s Guidebook to the Seattle World’s Fair. Seattle, Pacific Builder and Engineer, April 1962, p. 31)
Identifier: spl_wl_exp_00155
Date: 1962-09
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Lunch time; View is North on Third Av. North; Armory is to right
Construction, Century 21 Exposition (Seattle World's Fair). "Close to the center of the fairgrounds is the Food Circus, a great bustling eaters' delight. Ranged about the vast floor are 52 concessions, all producing food in its manifold phases." (Official Guide Book, Seattle World's Fair 1962. Seattle: Acme Publications. p. 137.) The building was constructed in 1938 as the Washington National Guard Armory (Architects: Floyd A. Naramore and Arrigo M. Young) and was transformed into the Food Circus for the Century 21 Exposition (Architects: Durham, Anderson, and Freed).
Identifier: spl_wl_exp_00310
Date: 1962-03-07
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