Here are some suggestions for your Summer Book Bingo NW 2023 category: BIPOC Poetry Collection. Annotations from NoveList, unless otherwise attributed.
Hard Damage
Hard Damage works to relentlessly interrogate the self and its shortcomings. In lyric and documentary poems and essayistic fragments, Aria Aber explores the historical and personal implications of Afghan American relations. Drawing on material dating back to the 1950s, she considers the consequences of these relations—in particular the funding of the Afghan mujahedeen, which led to the Taliban and modern-day Islamic terrorism—for her family and the world at large.
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View Hard DamageBirthright
Birthright is a book that balances the weight of place. The pride and shame and worth of homeland. Palestine, a homeland under siege and under scrutiny from a world that doesn’t occupy its borders. It is a book of immense nuance, pulling together all corners of the author’s pride in home, but also a desire to understand the violent cycles of the American machinery of war.
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View BirthrightPilgrim Bell
With formal virtuosity and ruthless precision, Kaveh Akbar’s second collection takes its readers on a spiritual journey of disavowal, fiercely attendant to the presence of divinity where artifacts of self and belonging have been shed. How does one recover from addiction without destroying the self-as-addict? And if living justly in a nation that would see them erased is, too, a kind of self-destruction, what does one do with the body’s question, “what now shall I repair?”
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View Pilgrim BellBreakpoint
National Poetry Series Finalist and winner of the Patricia Bibby First Book Award, Breakpoint is a debut poetry collection dedicated to “all the women in tech making it happen.” Its author, a video game producer by day, brings the reader into her world of polygons and fractals, Japanese folklore and family stories, computational language and robot factories, and the timeless yearning to be seen clearly. The machines speak in this book, but more strongly the women’s voices rise in the rooms where the technological future is being made. (Publisher)
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View BreakpointIf They Come for Us
In a debut poetry collection, the co-creator of the Emmy-nominated web series Brown Girls openly shares her experiences of being a young Pakistani Muslim woman in America by weaving together personal and marginalized people’s histories.
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View If They Come for UsNDN Coping Mechanisms
Takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.
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View NDN Coping MechanismsThis Wound Is A World
"Part manifesto, part memoir, This Wound is a World is an invitation to 'cut a hole in the sky to world inside.' Billy-Ray Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder sadness and pain like theirs without giving up on the future. His poems and essays upset genre and play with form, scavenging for a decolonial kind of heaven where 'everyone is at least a little gay.'"--.
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View This Wound Is A WorldThe Tradition
The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown's mastery, and his invention of the duplex--a combination of the sonnet, the ghazal, and the blues--is testament to his formal skill.
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View The TraditionCipota Under the Moon
In Cipota under the Moon , Claudia Castro Luna scores a series of poems as an ode to the Salvadoran immigrant experience in the United States. The poems are wrought with memories of the 1980s civil war and rich with observations from recent returns to her native country. Castro Luna draws a parallel between the ruthlessness of the war and the violence endured by communities of color in US cities; she shows how children are often the silent, unseen victims of state-sanctioned and urban violence. In lush prose poems, musical tankas, and free verse, Castro Luna affirms that the desire for light and life outweighs the darkness of poverty, violence, and war. Cipota under the Moon is a testament to the men, women, and children who bet on life at all costs and now make their home in another language, in another place, which they, by their presence, change every day. (Publisher)
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View Cipota Under the MoonObit
After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and starts walking." These poems reinvent the form of newspaper obituary to both name what has died ("civility," "language," "the future," "Mother's blue dress") and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living. (Publisher)
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Availability: All copies in use
View Obit