• Map of Seattle Tide Lands, Harbor Island Terminals and Vicinity, 1913

    Map of Seattle Tide Lands, Harbor Island Terminals and Vicinity, 1913

    Washington Map & Blue Print Co.

    Map showing Seattle Tide Lands including railway lines and stations. Manufacturing plans and other businesses also labeled. The route for the abandoned South Canal through Beacon Hill can be seen on the lower right.

    Identifier: spl_maps_2448166

    Date: 1913

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  • Peter Puget and the Puget Sound Indians

    Peter Puget and the Puget Sound Indians

    McAllister, Parker S. (1903-1970)

    Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.

    Identifier: spl_art_291985_17.163

    Date: 1956

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  • Chart of the Viti Group or FeeJee Islands by the U.S. Ex. Ex., 1840

    Chart of the Viti Group or FeeJee Islands by the U.S. Ex. Ex., 1840

    Wilkes, Charles

    This map embraces the Viti or Feejee Group, consisting of one hundred and fifty-four islands, with numerous coral reefs, etc.

    Identifier: spl_maps_367358_05

    Date: 1840

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  • Untitled

    Untitled

    Anderson, Guy, 1906-1998

    Guy Anderson was born in Edmonds, Washington in 1906. At a young age, he was exposed to Asian art and Northwest Indian art and studied portraiture under Eustace Ziegler who taught private art lessons in Seattle. He became friends with Morris Graves and the two worked on the Public Works of Art Project for Washington State during the Depression in the 1930’s. He developed his distinctive painting style while living in La Conner, Washington. He died there in 1998. He was one of the four painters LIFE magazine described as "Northwest Mystics". The others were Kenneth Callahan, Morris Graves and Mark Tobey.

    Identifier: spl_art_An231Un

    Date: 1968

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  • Aerial view of Bellevue, WA, circa 1990s

    Aerial view of Bellevue, WA, circa 1990s

    Dorpat, Paul

    Aerial view of Bellevue looking west and slightly north along NE 4th Ave. towards Lake Washington and Seattle. Bellevue Square (first opened in 1946 as Bellevue Shopping Square, and expanded in the 1980s), One Bellevue Center (constructed 1982-1983), the Hyatt Regency hotel (built 1989), Key Bank Building (built 1971), and other buildings can be seen.

    Identifier: spl_dor_00021

    Date: 1990?

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  • Totem pole

    Totem pole

    Ziegler, Eustace Paul, 1881-1969

    Born in 1881 in Detroit, Michigan, Eustace Ziegler was a painter of the Alaskan School who painted mainly landscapes, portraits and figure drawing of Northwest Indians. He was trained at Yale University. He taught private art lessons in Seattle in the 1920’s and 30’s and was highly influential to many Northwest artists. One of his pupils was Guy Anderson. Ziegler died in 1969.

    Identifier: spl_art_Z624To

    Date: 1934

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  • The Townhouse, March 1958

    The Townhouse, March 1958

    Lenggenhager, Werner W., 1899-1988

    Seattle; Wash. The Townhouse on 1400 Hubbell Place; View N.E. to Pike Str.

    Identifier: spl_wl_apt_00087

    Date: 1958-03

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  • Cattle stile

    Cattle stile

    Doughty, Nan

    Identifier: spl_art_D745Ca

    Date: 1945?

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  • Nookta Indian liked the spoons

    Nookta Indian liked the spoons

    McAllister, Parker S. (1903-1970)

    Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.

    Identifier: spl_art_291985_15.138

    Date: 1955

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  • Quimper on Vancouver Island

    Quimper on Vancouver Island

    McAllister, Parker S. (1903-1970)

    Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.

    Identifier: spl_art_291985_16.151

    Date: 1955

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