Northwest Art Collection
Preview up to 100 items from this collection below. Prints, drawings and paintings by artists Mark Tobey, Kenneth Callahan, Helmi Juvonen, Robert Cranston Lee and others celebrate the Northwest. Many pieces hail from the 1934 Public Works of Art Project.
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Captain Duncan at Tatoosh Island
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_15.143
Date: 1955
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Rhythm in colors
James Winston Washington Jr. was born in Mississippi in 1909. He moved to the Pacific Northwest in the 1940's where he studied at the University of Washington Extension Program with painter Yvonne Twining Humber and printmaker Glen Alps. He also studied briefly with Mark Tobey. Washington exhibited in the Northwest Annual in 1948 and was curator for annual art shows at the Mount Zion Baptist Church in Seattle, Washington. He was a frequent lecturer at universities and colleges and earned an honorary doctorate from the Center for Urban Black Studies, Berkeley, California in 1975. He died in 2000.
Identifier: spl_art_W276Rh
Date: 1950
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Pike Place Market postcard depicting interior of the Arcade
Postcard showing customers and vendors at the produce stands within the Market Arcade. Signs for Pike Place Poultry and Burger Bar can be seen in the background. The back of the postcard has a brief history of the market.
Identifier: spl_sh_00029
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Yosemite Valley, ca. 1897-1900
This image shows a view of Yosemite Valley from near the present-day location of the Wawona Tunnel viewpoint. Pillsbury had a lifelong interest in the park and established his own photograph studio there in 1897.
Identifier: spl_ap_00166
Date: 1897?; 1900?
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Martinez seizes Colnett's ship
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_16.149
Date: 1955
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Pencil sketches of CCC camps: recreation hall - Captain Gray's orchestra; Lake Cushman, Wash.
Identifier: spl_art_N779Pe04
Date: 1934
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Nookta Abandoned
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_17.171
Date: 1956
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Pencil sketches of CCC camps: magazine corner - recreation hall; Lake Cushman, Wash.
Identifier: spl_art_N779Pe03
Date: 1934
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