Northwest Art Collection
Preview up to 100 items from this collection below. Prints, drawings and paintings by artists Mark Tobey, Kenneth Callahan, Helmi Juvonen, Robert Cranston Lee and others celebrate the Northwest. Many pieces hail from the 1934 Public Works of Art Project.
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Untitled
Guy Anderson was born in Edmonds, Washington in 1906. At a young age, he was exposed to Asian art and Northwest Indian art and studied portraiture under Eustace Ziegler who taught private art lessons in Seattle. He became friends with Morris Graves and the two worked on the Public Works of Art Project for Washington State during the Depression in the 1930’s. He developed his distinctive painting style while living in La Conner, Washington. He died there in 1998. He was one of the four painters LIFE magazine described as "Northwest Mystics". The others were Kenneth Callahan, Morris Graves and Mark Tobey.
Identifier: spl_art_An231Un
Date: 1968
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[Cloth print]
Fay Chong was born in Canton, China in 1912. He worked primarily in printmaking and in watercolor. He and his family moved to Seattle in 1920. He attended Edison High School where he was a classmate of George Tsutakawa. Chong worked on the Public Works of Art Project in the 1930's with Robert Bruce Inverarity, Jacob Elshin and Julius Twohy. Chong taught art at Cornish College for the Arts, Seattle Community College, Washington Senior High School and Ingraham High School. He received a Bachelor's degree from the University of Washington in 1968 and an MAT from the University of Washington in 1971. He died suddenly of a stroke in 1973.
Identifier: spl_art_C455Cl
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Pencil sketches of CCC camps: roadside cleaning - fire prevention; Orcas Island, Wash.
Identifier: spl_art_N779Pe09
Date: 1934
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Silvana II
Wes Wehr was born on April 17, 1929 in Everett, Washington and was a gifted artist in many areas. As a young man, he tutored Mark Tobey who encouraged him to paint. He documented anecdotes from his interactions with the Northwest artists in his book "The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West." He was appointed affiliate curator of the Burke Museum in 1978. He was the impetus for many exhibitions of the art of Helmi Juvonen and remained her friend and benefactor until her death in 1985. Wehr died on April 12, 2004.
Identifier: spl_art_W423Si
Date: 1970
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Tagish Lake, Canada, ca. 1899
Tagish Lake is located on the border of British Columbia and Yukon.
Identifier: spl_ap_00159
Date: 1899?
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Pencil sketches of CCC camps: drilling for blasting - the jack-hammer crew; Lake Cushman, Wash.
Identifier: spl_art_N779Pe01
Date: 1934
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Spanish ships departing from Neah Bay
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_17.167
Date: 1965
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Nookta Indian liked the spoons
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_15.138
Date: 1955
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Miles Canyon on Yukon River, ca. 1899
Miles Canyon and the Whitehorse Rapids were two of the most treacherous points for ships traveling the Yukon River in an effort to reach the Klondike gold fields. This photograph was published in the June 1900 issue of Harper's Weekly.
Identifier: spl_ap_00160
Date: 1899?
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