Edward S. Curtis Digital Collection
Preview up to 100 items from this collection below. Photographer Edward S. Curtis devoted two decades to making “The North American Indian,” an early 20th century photography and text project studying Western tribes.
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Tsaassi-mis-salla ("Crow with Necklace") - Sarsi
In 1906, Edward S. Curtis received funding from J.P. Morgan to begin work on "The North American Indian," a twenty volume set of photographs and text documenting Native American tribes throughout the western United States. The eighteenth volume, featuring the Chipewyan, Cree and Sarsi tribes, was published in 1928.
Identifier: spl_nai_18_618
Date: 1926
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Old Klamath woman
In 1906, Edward S. Curtis received funding from J.P. Morgan to begin work on "The North American Indian," a twenty volume set of photographs and text documenting Native American tribes throughout the western United States. The thirteenth volume, featuring the Hupa, Yuork, Karok, Wiyot, Tolowa, Tututni, Shasta, Achomawi and Klamath tribes, was published in 1924.
Identifier: spl_nai_13_440
Date: 1923
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Quiet Waters - Tule River Reservation
In 1906, Edward S. Curtis received funding from J.P. Morgan to begin work on "The North American Indian," a twenty volume set of photographs and text documenting Native American tribes throughout the western United States. The fourteenth volume, featuring the Kato, Wailaki, Yuki, Pomo, Wintun, Maidu, Miwok and Yokuts tribes, was published in 1924. The index provides more detailed captions for selected images within the portfolio.
Identifier: spl_nai_14_506
Date: 1924
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North American Indian Volume 13 Index
In 1906, Edward S. Curtis received funding from J.P. Morgan to begin work on "The North American Indian," a twenty volume set of photographs and text documenting Native American tribes throughout the western United States. The thirteenth volume, featuring the Hupa, Yuork, Karok, Wiyot, Tolowa, Tututni, Shasta, Achomawi and Klamath tribes, was published in 1924. The index provides more detailed captions for selected images within the portfolio.
Identifier: spl_nai_13_Index
Date: 1924
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Cheyenne Sun-Dance Lodge
In 1906, Edward S. Curtis received funding from J.P. Morgan to begin work on "The North American Indian," a twenty volume set of photographs and text documenting Native American tribes throughout the western United States. The eighteenth volume, featuring the Wichita, Cheyenne, Oto, and Commanche tribes, was published in 1930.
Identifier: spl_nai_19_660
Date: 1927
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In Kwakiutl Waters
In 1906, Edward S. Curtis received funding from J.P. Morgan to begin work on "The North American Indian," a twenty volume set of photographs and text documenting Native American tribes throughout the western United States. The tenth volume, featuring the Kwakiutl tribe, was published in 1915.
Identifier: spl_nai_10_340
Date: 1914
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A Coast Pomo Girl
In 1906, Edward S. Curtis received funding from J.P. Morgan to begin work on "The North American Indian," a twenty volume set of photographs and text documenting Native American tribes throughout the western United States. The fourteenth volume, featuring the Kato, Wailaki, Yuki, Pomo, Wintun, Maidu, Miwok and Yokuts tribes, was published in 1924. The index provides more detailed captions for selected images within the portfolio.
Identifier: spl_nai_14_486
Date: 1924
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Yokuts Basketry Designs - A
In 1906, Edward S. Curtis received funding from J.P. Morgan to begin work on "The North American Indian," a twenty volume set of photographs and text documenting Native American tribes throughout the western United States. The fourteenth volume, featuring the Kato, Wailaki, Yuki, Pomo, Wintun, Maidu, Miwok and Yokuts tribes, was published in 1924. The index provides more detailed captions for selected images within the portfolio.
Identifier: spl_nai_14_502
Date: 1924
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Left is United Nation [i.e. Nations] Pavilion in International Mall
United Nations Pavilion and Africa Pavilion on the International Mall of the Century 21 Exposition (Seattle World's Fair). International Mall of the Century 21 Exposition (Seattle World's Fair). “Six hyperbolic paraboloid shells blending into a single fluted column make up two of the exhibit buildings; the third, not shown, is simply a box beam shelter. The twin structures actually are a collection of 52 of these shells and, with their classic Oriental overtones, seem to be particularly fitting for the foreign displays they contain. A fine, clean concrete surface was created by coating the four forms with fiberglass. High-early cement was used to cast the 1 ½ in. thick shells. With temperatures ranging from 35 to 65 deg., calcium chloride was added and cylinder strengths of over 3,000 lb. were obtained in 24 hours. Located on the northwest corner of the exposition site, the inside-out umbrellas with their colorful fiberglass panels present an exciting boundary.” (An Architect’s Guidebook to the Seattle World’s Fair. Seattle, Pacific Builder and Engineer, April 1962, p. 32.)
Identifier: spl_wl_exp_00023
Date: 1962-10-01
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Buffalo Dance at Hano
In 1906, Edward S. Curtis received funding from J.P. Morgan to begin work on "The North American Indian," a twenty volume set of photographs and text documenting Native American tribes throughout the western United States. The twelfth volume, featuring the Hopi tribe, was published in 1922.
Identifier: spl_nai_12_401
Date: 1921
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