• Launching Meares' new schooner

    Launching Meares' new schooner

    McAllister, Parker S. (1903-1970)

    Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.

    Identifier: spl_art_291985_15.147

    Date: 1955

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  • Norah Raymond Interview, May 15, 1988

    Norah Raymond Interview, May 15, 1988

    Norah Raymond (1902-2002) came from a prominent Port Angeles family and was an active member of multiple Seattle organizations. She was born in Port Angeles to Thomas T. and Eva Aldwell. Thomas Aldwell was originally from Toronto and moved to Port Angeles in 1890. He became a prominent landowner in the area, served as Clallam County auditor and president of the Port Angeles Chamber of Commerce. He was also instrumental in advocating for the construction of the Elwah Dam. Norah Raymond attended Holy Names in Seattle and graduated magna cum laude from the University of Washington in 1922 with a degree in business administration. She married her husband, W. Lloyd Raymond ( -1941) in 1930. He was employed in the timber industry with a variety of companies including as Vice President of Rayonier, Inc., a pulp and paper company in Port Angeles. Raymond was active in the Seattle Golf and Tennis clubs, the Sunset Club and Children’s Hospital.

    Identifier: spl_ds_nraymond_01

    Date: 1988-05-15

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  • Alexander Latimer, ca. 1865

    Alexander Latimer, ca. 1865

    Tintype portrait of Alexander Latimer. Alexander was married to Sarah Latimer and had five daughters: Narcissa Latimer Denny (1851-1900), Eliza Alice Latimer Fowler (1856-1934), Harriet Ellen Latimer Stephens (1859-1938), Clara Latimer Bickford (1861-1934), and Emma Chesney Latimer Reynolds (1864-1946).

    Identifier: spl_lj_019

    Date: 1865?

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  • Unknown woman in New York, ca. 1880

    Unknown woman in New York, ca. 1880

    Hayden, C.

    Photograph taken by C. Hayden in New York City.

    Identifier: spl_lj_026

    Date: 1880?

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  • Unknown woman in Clarinda, Iowa, ca. 1880

    Unknown woman in Clarinda, Iowa, ca. 1880

    Hinman, E.B.

    Photograph taken by E.B. Hinman in Clarinda, Iowa.

    Identifier: spl_lj_031

    Date: 1880?

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  • Winter dance time

    Winter dance time

    Juvonen, Helmi, 1903-1985

    Helmi Juvonen was born in Butte, Montana on January 17, 1903. She worked in many media including printmaking, painting and paper-craft. She attended Cornish College of the Arts in Seattle where she met artist Mark Tobey with whom she was famously obsessed. Although she was diagnosed as a manic-depressive in 1930, she gained wide appreciation in the Northwest for her linocut prints depicting Northwest Indian people and tribal ceremonies. She worked with a number of artists on the Public Works of Art Project including Fay Chong and Morris Graves. Over the years, her mental health deteriorated and in 1960 she was declared a ward of the state and was committed to Oakhurst Convalescent Center. She was much beloved and had many friends and benefactors (including Wes Wehr) and was able to have exhibitions despite the confinement. She died in 1985.

    Identifier: spl_art_J989Wi

    Date: 1946

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  • "Monterey" gunboat in Port Orchard dry dock, ca. 1896

    "Monterey" gunboat in Port Orchard dry dock, ca. 1896

    Transcribed from back of photograph: "The Monterey in dry dock at Port Orchard near Seattle. They put the boats in the dock, then pump out the water to paint or clean the bottom which gets covered with barnacles, little muscle shell, seaweeds, + c." The Port Orchard Dry Dock mentioned in the caption is likely the Puget Sound Naval Shipyard.

    Identifier: spl_lj_063

    Date: 1896?

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  • Group of three Native Americans, ca. 1897

    Group of three Native Americans, ca. 1897

    Identity of the men and location of the photograph unknown. Time period provided is estimated.

    Identifier: spl_lj_069

    Date: 1897?

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  • Two unknown men, ca. 1865

    Two unknown men, ca. 1865

    Tintype portrait of two unidentified men.

    Identifier: spl_lj_038

    Date: 1865?

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  • Clara, Alice and Emma Latimer, ca. 1880

    Clara, Alice and Emma Latimer, ca. 1880

    H.S. & J.W. Hoot; Hoot, Howard S., 1857-1941; Hoot, Jerome W., 1859-1943

    Clara Latimer Bickford (1861-1934), Eliza Alice Latimer Fowler (1856-1934), Emma Chesney Latimer Reynolds (1864-1946) were the daughters of Alexander and Sarah Latimer. Their sisters, Narcissa Latimer Denny and Harriet Ellen Latimer Stephens are not pictured. Photograph taken by H.S. & J.W. Hoot in Waterloo, Iowa.

    Identifier: spl_lj_042

    Date: 1880?

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